Year of birth: 1958
Place of birth: Kiskunfélegyháza
Nationality: Hungarian
Studies
1992 Hungarian Dance Academy
Masters
Kokas Ignác
Awards
1989 Szeged Tablet Painting and Painting Biennale, Workshop
1990 Young Artists Studio, Studio Prize
1991 Eötvös Foundation scholarship
1994 Gyula Derkovits Fine Arts Scholarship
Style
His creations represent expressive, figurative painting, which are part of the new painting and the trans-avantgarde aspirations.
Born in 1958, in Kiskunfélegyháza. He is a freelance artist. 1989: The Biennial of Painting of Szeged;
1990: Studio ’90, Studio Prize; Eötvös József Foundation scholarship; 1994: Derkovits scholarship. He
lives in Szentendre. Between 1988 and 1992 he was a member of the Studio of Young Artists. 1994:
Festival of Arts in New Democracies, Montreal; 1997: Study Aboriginal Painters, Australia. Lajos Vajda’s 1937-40 charcoal and ink traces, Géza Samu’s prehistoric-archaic sculptures, the spirit of Béla Hamvas and the aboriginal art of Australian natives inspired the artist to investigate ancient vision, elemental pictorial writing, or universal magical sign language. Whether or not a Siberian cave drawing, an African mask, or an Australian “bark” has inspired him, Orbán is a sign of a total cultic-sacral language. His stickmen, primate and reindeer make him the heir of that tradition, which has been due to the interest of modernity in Primitive Tribal Art by the Gaudin of Tahiti, the Picasso inspired by African masks or the surrealists visiting ethnographic collections. The painter of the aboriginal painting, the black, the ocher, the red and the “sacred white” painter in 1982-92 worked with charcoal, with Indian ink and pastel, and discovered the expressive atmosphere, but the elements with elemental geometric decorative elements, rich in fatty acrylic -membered painting that still characterizes his works. Since 1998, he has been a technical innovator for a copper plate, which he thinks is better suited to expanding the imaginary space concept.
1988-92 Young Artists Studio
In 1994, at the invitation of the city of Montréal, he participated in a solo exhibition at the Notre Dame de Grace Gallery, “arts for the new democracies “.
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